Loum Lou’s father takes him to the field; Phra In (Indra) comes to pose riddles to the child
1998 (photography), ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Phra In descends on his horse from his flying palace. The circular detail just to the left of the inscription frame is Loum Lou, lying in his basket, while the paddy field is being ploughed by his father., Panel 3, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Loum Lou’s father takes him to the field; Phra In (Indra) comes to pose riddles to the child
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Phra In descends on his horse from his flying palace. The circular detail just to the left of the inscription frame is Loum Lou, lying in his basket, while the paddy field is being ploughed by his father., Panel 3, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Loum Lou’s father takes him to the field; Phra In (Indra) comes to pose riddles to the child
digital photograph, 1969-73 (building construction), 1975 (original mural painting), While the paddy field is being ploughed by Thao Loum Lou’s father, Phra In descends on his horse from his flying palace., Panel 3, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra
Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 4, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), 1998 (photography), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra
Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 4, replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum Lou into the then’s mould
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Panel 4 locator, Vat Keng, Vang Vieng, When Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, the boy is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 4, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 4, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phra In (Indra) puts Thao Loum into the then’s mould to be re-cast without success, is admitted in turn into Indra’s own diamond mould, from whence he comes to live with Indra
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 4, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida [“Nang Soudsada”, in the text]
Phra In on horseback arrives at his celestial Palace with Loum Lou in a basket. The mould, visible in the foreground, awaits the attempt to re-cast Thao Loum Lou, rendering him whole and beautiful., Panel 5, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), 1998 (photography), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida
Thao Loum Lou, becoming Hapkanasouane following his successful transformation by means of the diamond mould, takes advantage of his resemblance to Phra In to seduce Phra In’s wife, Nang Soudsada [Nong Sida in the text]; one of Indra’s Four Principal Queens., Panel 5, replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Thao Loum Lou, becoming Hapkanasouane following his successful transformation by means of the diamond mould, takes advantage of his resemblance to Phra In to seduce Phra In’s wife, Nang Soudsada; one of Indra’s Four Principal Queens., Panel 5 locator, Vat Keng, Vang Vieng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida [“Nang Soudsada”, in the text]
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Thao Loum Lou, becoming Hapkanasouane following his successful transformation by means of the diamond mould, takes advantage of his resemblance to Phra In to seduce Phra In’s wife, Nang Soudsada; one of Indra’s Four Principal Queens., Panel 5, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida [“Nang Soudsada”, in the text]
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Thao Loum Lou, becoming Hapkanasouane following his successful transformation by means of the diamond mould, takes advantage of his resemblance to Phra In to seduce Phra In’s wife, Nang Soudsada; one of Indra’s Four Principal Queens., Panel 5, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Thao Loum Lou, transformed into Phra In’s exact appearance, seduces Nang Sida
digital photograph, 1969-73 (building construction), 1975 (original mural painting), Thao Loum Lou, becoming Hapkanasouane following his successful transformation by means of the diamond mould, takes advantage of his resemblance to Phra In to seduce Phra In’s wife, Nang Soudsada [Nong Sida in the text]; one of Indra’s Four Principal Queens., Panel 5, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.