Troops of Ravana, and troops of Rama, Hanumana (Houliman) and Sangip (Sankhip) engaged in duels
digital photograph, 1969-73 (building construction), 1975 (original mural painting), While the content of the caption of this panel at Vat Keng partly follows the captions at Vat Oub Mong, the text, the nomenclature (place names and proper names), and the visual subject matter differ very considerably here from the analogous panel(s) at Vat Oub Mong (of which the 1938 Thit Panh murals, can be seen as inspirational –if not prototypical)., Panel 29, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Troops of Ravana, and troops of Rama, Hanumana (Houliman) and Sangip (Sankhip) engaged in duels
scanned color negative print, 1998 (photography), Panel 29 locator, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Troops of Ravana, and troops of Rama, Hanumana (Houliman) and Sangip (Sankhip) engaged in duels
August 2010 (photography), digital photograph, Panel 29 locator, new image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Troops of Ravana, and troops of Rama, Hanumana (Houliman) and Sangip (Sankhip) engaged in duels
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Panel 29 locator, Vat Keng, Vang Vieng, While the content of the caption of this panel at Vat Keng partly follows the captions at Vat Oub Mong, the text, the nomenclature (place names and proper names), and the visual subject matter differ very considerably here from the analogous panel(s) at Vat Oub Mong (of which the 1938 Thit Panh murals, can be seen as inspirational –if not prototypical)., temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Jivha, the ally of Ravana
Able to change his shape and size, Jivha extended his tongue, trying to trick the armies of PLPL and their allies into marching into his mouth, but was defeated by Houliman., scanned color negative/print, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Panel 30, former image hall interior, Vat Oub Mong, Vientiane, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Jivha, the ally of Ravana
Able to change his shape and size, Jivha extended his tongue, trying to trick the armies of PLPL and their allies into marching into his mouth, but was defeated by Houliman., digital photograph, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), panel 30, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Jivha, the ally of Ravana
1998 (photography), scanned color negative print, Panel 30 locator, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Jivha, the ally of Ravana
August 2010 (photography), digital photograph, Panel 30 locator, new image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phi Sua Nam, the ally of Ravan (Hapkhansouane), lives in the water
1998 (photography), scanned color negative print, Panel 31 locator, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phi Sua Nam, the ally of Ravan (Hapkhansouane), lives in the water
August 2010 (photography), digital photograph, Panel 31 locator, new image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phi Sua Nam, the ally of Ravan (Hapkhansouane), lives in the water
scanned color negative/print, with digitally overlayed caption text, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Panel 31, former image hall interior, Vat Oub Mong, Vientiane, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Phi Sua Nam, the ally of Ravan (Hapkhansouane), lives in the water
digital photograph, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), panel 31, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hanumana goes to search for medicine and brings a mountain
scanned color negative/print, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Panel 32, former image hall interior, Vat Oub Mong, Vientiane, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hanumana goes to search for medicine and brings a mountain
digital photograph, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), panel 32, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hanumana goes to search for medicine and brings a mountain
digital photograph, 1969-73 (building construction), 1975 (original mural painting), While the content of the caption of this panel at Vat Keng partly follows the captions at Vat Oub Mong, the text, the nomenclature (place names and proper names), and the visual subject matter differ very considerably here from the analogous panel(s) at Vat Oub Mong (of which the 1938 Thit Panh murals, can be seen as inspirational –if not prototypical)., Panel 32, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.