Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond
Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond
Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6, replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6 locator, Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Under the Parijata tree’s shade, Phra in and Nang Sida [Nang Soudsada, in the text] have an audience on the shores of a pond.
digital photograph, 1969-73 (building construction), 1975 (original mural painting), Queen Soudsada, having realized how she had been deceived, abused, and humiliated, shares her concern with Phra In, and offers her own plan for avenging the outrageous dishonor to them both., Panel 6, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka., Panel (un-numbered inset), former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), scanned color negative print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka, Soudsada’s soul in transmigration appears twice in the replicant interior: here on the north wall upper course, adjacent to Panel 6, “Soudsada plots revenge.”, Panel 6, replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
Soudsada’s soul in transmigration appears twice in the replicant interior: here on the south wall upper course, adjacent to Panel 8, “Hapkham Palace Lanka.", As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka., Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka., Panel (un-numbered inset), former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Soudsada’s soul in transmigration appears twice in the replicant interior: here on the north wall upper course, adjacent to Panel 6, “Soudsada plots revenge.”, As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka., Panel 6 (detail), new image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Lanka Sida descending from heaven to be reborn to the Chief Queen of Ravana
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), As the vehicle of her own revenge, Nang Soudsada is about to be reincarnated in the womb of the wife of Hapkanasouane in Meuang Lanka., Panel 8, new image hall interior, Vat Oub Mong, Vientiane, Soudsada’s soul in transmigration appears twice in the replicant interior: here on the south wall upper course, adjacent to Panel 8, “Hapkham Palace Lanka.”, Panel 8 (detail), replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
digital photograph, 1969-73 (building construction), 1975 (original mural painting), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9 (detail), Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.