Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
digital photograph, 1969-73 (building construction), 1975 (original mural painting), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9 (detail), Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana, at Vat Keng, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9, former image hall interior, Vat Oub Mong , Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), 1998 (photography), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9 locator, new image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9 locator(s), Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Ravanna throws Sita into a pond. Phaya Haab (Hapkanasouane) is contemplating Nang Sida, who has fallen into the lotus pond
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), After the failed attempt by the infant girl Nang Sida to kill him, Hapkanasouane ejects her violently from his palace, throwing her a great distance through the sky, the child still clutching onto her knife. Protected by the gods, she eventually fall into a lily pond, unhurt., Panel 9 locator(s), Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
A rishi, while out seeking alms, encounters Nang Sida and adopts her
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), The hermit Chao Laksi rescues Nang Sida from the pond, and having brought her to his hermitage —as she comes of age— is installed in a one-pillar cottage., Panel 10, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
A rishi, while out seeking alms, encounters Nang Sida and adopts her
2001-2006 (building construction), May-July 2010 (cartooning and colorization), The hermit Chao Laksi rescues Nang Sida from the pond, and having brought her to his hermitage —as she comes of age— is installed in a one-pillar cottage., Panel 10, replacement image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
A rishi, while out seeking alms, encounters Nang Sida and adopts her
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), The hermit Chao Laksi rescues Nang Sida from the pond, and having brought her to his hermitage —as she comes of age— is installed in a one-pillar cottage., Panel 10, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
A rishi, while out seeking alms, encounters Nang Sida and adopts her
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), The hermit Chao Laksi rescues Nang Sida from the pond, and having brought her to his hermitage —as she comes of age— is installed in a one-pillar cottage., Panel 10, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
digital photograph, 1969-73 (building construction), 1975 (original mural painting), In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11, Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), 1998 (photography), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11 locator, new image hall interior, Vat Oub Mong, Vientiane, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Varanasimahanagara, the city of Laksmana and Rama
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), In the text, “Meuang Chantaburi Si Satanak (Phalanasi) —the mythologized original name of Vientiane: home of Phra Lak and Phra Lam., Panel 11 locator, Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.