Hapkanasouane (Ravan) while kidnapping Sita is intercepted by Phagna Kkout (Garuda), who spread his wings in protection
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), On the right —in the archival and replicant murals— Hapkanasouane (Ravan) is descending from the sky to seize the kneeling figure of Nang Sida, while on the left, Phralak’s ally, the King of the Vultures, frames Hapkanasouane and Sida in flight. Ravan throws Sida’s magical ring at Phagna Khout, breaking his wings, and he crashes to earth, dying., Panel 14 locator, Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hapkanasouane (Ravan) while kidnapping Sita is intercepted by Phagna Kkout (Garuda), who spread his wings in protection
scanned color negative/print, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), On the right —in the archival and replicant murals— Hapkanasouane (Ravan) is descending from the sky to seize the kneeling figure of Nang Sida, while on the left, Phralak’s ally, the King of the Vultures, frames Hapkanasouane and Sida in flight. Ravan throws Sida’s magical ring at Phagna Khout, breaking his wings, and he crashes to earth, dying., Panel 14, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hapkanasouane (Ravan) while kidnapping Sita is intercepted by Phagna Kkout (Garuda), who spread his wings in protection
digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), On the right —in the archival and replicant murals— Hapkanasouane (Ravan) is descending from the sky to seize the kneeling figure of Nang Sida, while on the left, Phralak’s ally, the King of the Vultures, frames Hapkanasouane and Sida in flight. Ravan throws Sida’s magical ring at Phagna Khout, breaking his wings, and he crashes to earth, dying., Panel 14, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Hapkanasouane (Ravan) while kidnapping Sita is intercepted by Phagna Kkout (Garuda), who spread his wings in protection
digital photograph, 1969-73 (building construction), 1975 (original mural painting), On the right —in the archival and replicant murals— Hapkanasouane (Ravan) is descending from the sky to seize the kneeling figure of Nang Sida, while on the left, Phralak’s ally, the King of the Vultures, frames Hapkanasouane and Sida in flight. Ravan throws Sida’s magical ring at Phagna Khout, breaking his wings, and he crashes to earth, dying., Panel 14, Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
1998 (photography), scanned color negative print, Panel 15 locator, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
This image has no caption of its own, in Situ, but in the original, had comprised a smaller part of the next panel., Panel 15 locator, replacement image hall interior, Vat Oub Mong, Vientiane, Temple murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, 12 megapixel digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), Un-numbered panel, new image hall interior, Vat Oub Mong, Vientiane, out-of-sequence panel locator, Vat Keng, Vang Vieng, temple interior murals of Phralak-Phralam, the Lao Ramayana, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A090018.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
This image has no caption of its own, in Situ, but in the original, had comprised a smaller part of the next panel., digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Un-numbered panel, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
digital photograph, 1969-73 (building construction), 1975 (original mural painting), Panel 15 (out-of-sequence), Vat Keng, Vang Vieng, At Vat Keng, there is no mural/panel showing Phralam climbing the tree and turning into a monkey., complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
1998 (photography), ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Panel 15a locator, former image hall interior, Vat Oub Mong, Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, scanned color negative/print, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi., Un-numbered panel, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, temple interior murals of Phralak-Phralam, the Lao Ramayana, digital photograph, unknown (building construction), 1975 (original mural painting), August 2010 (photography), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
scanned color negative print, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), Panel 15, former image hall interior, Vat Oub Mong, Vientiane, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
Riding on the horse Manikap, Phralam encounters the mahnigos (manikhod) tree. Phralam eats a manikhod fruit, turns into a monkey, and meets the female monkey Nang Phengsi
This image has no caption of its own, in situ, but in the original, had comprised a smaller part of the next panel., digital photograph, 2001-2006 (building construction), May-July 2010 (cartooning and colorization), Un-numbered panel, new image hall interior, Vat Oub Mong, Vientiane, Complete digitally replicated temple interior murals of Phralak-Phralam, the Lao Ramayana, Mr. Chaeunphone, lead artist; Lao PDR Faculty of Fine Arts, Vientiane, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
The cave of a hermit and the cave of Ms. (or Mrs.?) Sikhai. Pha Theung Pha Chanh is waiting for his child to come when he sees Pha Sa being angry. He therefore orders him to go down to the city
August 2010 (photography), digital photograph, 1969-73 (building construction), 1975 (original mural painting), While the content of the caption of this panel at Vat Keng partly follows the captions at Vat Oub Mong, the text, the nomenclature (place names and proper names), and the visual subject matter differ very considerably here from the analogous panel(s) at Vat Oub Mong (of which the 1938 Thit Panh murals, can be seen as inspirational –if not prototypical)., The caves of the hermit Chao Laksi, where after committing adultery with the sun god and and the moon god, Nang Khaysi gives birth to the twins Thao Sangkip and Thao Palichanh., Panel 16 (out-of-sequence), Vat Keng, Vang Vieng, complete temple interior murals of Phralak-Phralam, the Lao Ramayana., incomplete translation of title by Ian Baird, 2011, This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.
The caves of the hermit Chao Laksi, where after committing adultery with the sun god and and the moon god, Nang Khaysi give birth to the twins Thao Sangkip and Thao Palichanh
1998 (photography), scanned color negative print, Panel 16 locator, former image hall interior, Vat Oub Mong , Vientiane, Complete archival temple interior murals of Phralak-Phralam, the Lao Ramayana, Thit Panh, lead artist, ca. 1925 (building construction), 1938 (original mural painting), December 2000 (building demolition), This item digitized and made available online with funds provided by United States Department of Education, TICFIA (Technological Innovation and Cooperation for Foreign Information) Grant P337A05006.